Every enthusiastic crocheter will be glad to see this wonderfully good representation of “our Lindy’s” flying partner, originally designed in 1927 by Mrs. F.A. Wright. It may be used as a pillowtop, panel, chair-back, or as one may desire.
This set of seven charming animal and insect insertions—a happy dog, busy bees, a butterfly, a mother duck and duckling swimming along, an owl, a pony, and a pair of playful cats—were designed by Ethel Herrick Stetson in 1912.
Designed by Australian Mary Card in 1918, this tall thin panel features a sailor with his saber. This design has been arranged to correspond in size and style with the Soldier Boy, which is the subject of No. 1 of the Mary Card Giant Chart series.
This pretty Rose Insertion works well as a corner as shown, and includes a pointed Rose Bud Lace Edging to match. Originally designed by Emma Boardman in 1920, it’s suitable for many purposes, and the lace edging and insertion may be used separately or in combination.
With a simply elegant square neckline, this lace yoke with sleeves is decorated with a bouquet of roses and features a scooped bottom edge. The pattern was designed in 1920 by Ida C. Farr for a girl’s yoke.
Roses, butterflies and winding leaves decorate this summery filet crochet lace edging. Designed in 1927 by Olive F. Ashcroft, it can be used as a border for a tablecloth or a dresser scarf. Make the narrow leaf border as long as you need, or omit it for a faster project.
Originally designed by Olive F. Ashcroft for a chair back or the end of a dresser scarf, directions and chart for a variation with a straight top are included for making a curtain. These aristocratic peacocks will add stately elegance to your home.
This design is very attractive and versatile. In fine thread, the lace and insertion will be a very pretty trim for skirts, slips or other similar garments, and a yoke is easily arranged to match. Heavier thread makes a handsome stripe, with lace border, for a bedspread.